Beowulf (**1/2)
Firstly, I saw this in I-Max 3D and, if you ask me, any novelty in the 3D effect wears off pretty quickly and eventually just gets distracting. As for the movie itself, Beowulf has some elaborate and satisfying fight scenes, but doesn't really have enough supporting these fight scenes to be anything more than a run of the mill action movie. Neil Gaiman co-wrote the script, and at some points his knack for successfully combining myth with history-- which he does so well in his graphic novels like Sandman-- is able to come through, but at other times its unevenly paced and awkward. There isn't much character development, which is in part due to the fact that the movie is based on the centuries old epic poem, but more still needed to be done to make Beowulf a protagonist worth caring about. There is a big jump ahead in time midway through the film after which point Beowulf becomes much more of a two-dimensional character, and this half of the film is much more enjoyable. Almost no effort is made to establish the origins or motives of the villains: the grotesque zombie-like Grendel and his Siren-like mother, played by a very naked Angelina Jolie. Again, this is party due to the fact that this is based on an epic poem which has more room for ambiguity, but it doesn't make it any less frustrating watching characters battle demons whose reasons for being haven't really been established whatsoever. The animation is far superior to the genuinely creepy animation of Robert Zemekis's last animated film, The Polar Express, but some of the character's motions are still a bit stiff looking, and there is definitely some degree of an Uncanny Valley effect still going on.
Sunday, November 25, 2007
Monday, November 12, 2007
Knocked Up & American Gangster
Knocked Up (****)
One of the best comedies in recent years which, like The Forty Year Old Virgin shows Judd Apatow's ability to combine edgy-- but not overly crass-- comedy with a well-written and intelligent story. Seth Rogan is very good as Ben, the well meaning but lazy and uncultured stoner, as is Katherine Heigl, the woman who gets "knocked up," as well as Paul Rudd, as a married guy wishing he was still single. There are brilliant examples of satire involving all of these characters, combined by some hilarious bits from Ben's cast of stoner friends. An excellent comedy.
American Gangster (***1/2)
A very enjoyable crime drama from Ridley Scott, based on the true story of Frank Lucas, a black man who beat the Italian mafia at its own game selling heroin in New York City. Denzel Washington is very good as the unassuming, but methodical and calculating Lucas, and the way his plan to undercut the mob comes to fruition is interesting to watch, but the best half of the movie may be the other half. On the opposite side of things, a cop played by Russel Crowe tries to discover the source of the new heroin while constantly trying to dodge entanglements with others in the police force who are corrupt and don't like people butting in on their jurisdiction. His performance is very good as well. There's an epilogue that's sort of necessary to tie of the story, but doesn't quite fit with the rest of the film, and some other sections throughout that probably could've benefited from better pacing. Still, this is a movie that runs near three hours and remains pretty engrossing throughout. A very good movie that might see a few Oscar nods.
One of the best comedies in recent years which, like The Forty Year Old Virgin shows Judd Apatow's ability to combine edgy-- but not overly crass-- comedy with a well-written and intelligent story. Seth Rogan is very good as Ben, the well meaning but lazy and uncultured stoner, as is Katherine Heigl, the woman who gets "knocked up," as well as Paul Rudd, as a married guy wishing he was still single. There are brilliant examples of satire involving all of these characters, combined by some hilarious bits from Ben's cast of stoner friends. An excellent comedy.
American Gangster (***1/2)
A very enjoyable crime drama from Ridley Scott, based on the true story of Frank Lucas, a black man who beat the Italian mafia at its own game selling heroin in New York City. Denzel Washington is very good as the unassuming, but methodical and calculating Lucas, and the way his plan to undercut the mob comes to fruition is interesting to watch, but the best half of the movie may be the other half. On the opposite side of things, a cop played by Russel Crowe tries to discover the source of the new heroin while constantly trying to dodge entanglements with others in the police force who are corrupt and don't like people butting in on their jurisdiction. His performance is very good as well. There's an epilogue that's sort of necessary to tie of the story, but doesn't quite fit with the rest of the film, and some other sections throughout that probably could've benefited from better pacing. Still, this is a movie that runs near three hours and remains pretty engrossing throughout. A very good movie that might see a few Oscar nods.
Subscribe to:
Posts (Atom)