Wednesday, January 02, 2008

Sweeney Todd

Sweeney Todd: The Demon Barber of Fleet Street (***1/2)

More musicals need wanton, graphic violence. That's my conclusion upon seeing Tim Burton's movie adaptation of Sweeney Todd, originally a Tony award winning musical. Johnny Depp, oft-used in Tim Burton films, stars here as the title character who was once a barber in industrialized London, before a corrupt judge (Alan Rickman) sentences him to a false charge out of envy for his wife. The judge ends up raping his wife and keeping his daughter as his ward. Years later, Todd returns to London hellbent on revenge. He meets Mrs. Lovett (Helena Bonham Carter), who has taken over his old barber shop and converted it to the self-proclaimed worst meat pie shop in London. Sweeney retrieves his old barber's shears, which he seems to treat like a samurai would treat his katana, buried underneath the floor on the upper level. He's set to slit the judge's throat with them, but he finds the judge difficult to get to. Eventually Sweeney and Mrs. Lovett get sidetracked and devise a scheme which significantly increases the reputation of Mrs. Lovett's shop, while at the same time turns the tables on the wealthy elite in London and finds them at the mercy of the poor, in a manner of speaking. Mrs. Lovett is eventually convinced that she and Sweeney can start a new, if somewhat bizarre, life with each other, while in the meantime a young sailor attempts to steal away Joanna, Sweeney's daughter from the captivity of the judge.

I like some of the songs in Sweeney Todd better than others, but then again I'm really not much for musicals in general, and I have to admit that at its best the film's music is pretty damn good. The setting of industrialized London is perfect for Tim Burton to run wild with the dark, Gothic style he's become known for. Some of the set pieces are fantastic, and if anything some of them are actually too "loud" and distract from the characters to an extent.

Overall, Sweeney Todd is a lot of fun with brilliant macabre humor and social commentary with a lot of fun, outside-of-the-norm musical numbers.

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