Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull (***)

It's been 19 years since we last saw our whip adept, ophidiophobic, archaeologist on an adventure containing giant rolling stones of death, melting Nazis, heart stealing witch doctors, Alfred Molina, or some combination thereof. When we see Indiana Jones now in Kingdom of the Crystal Skull, he's a step or two slower and has a lot more gray hair, but the same basic formula is still in place, as Stephen Spielberg, George Lucas, and Harrison Ford reunite for one last installment of the franchise. There's still all manner of chase sequences on period accurate vehicles of all sorts, there's still ancient burial sites with deviously clever traps, and there's still villains everywhere trying to cramp Indy's style and claim the treasure for themselves. Yet, the synergy of all these radio serial adventure type elements don't really add up to as good a finished product this time around, although the movie is still certainly an entertaining watch.

The film begins in 1958 with Indy and "Mac", an old acquaintance he's known from World War II being held captive by Russians, who pose as U.S. army personnel and break into Area 51 in the Nevada Desert. They are led by Cate Blanchett, a completely stereotypical Russian villainess (think: "I will crush the American capitalist scum with my superior Russian intellect!", that sort of thing) who specializes in the paranormal and is researching artifacts that can be used for "psychic warfare". I suppose I shouldn't spoil it, but within the military warehouse she finds something of interest to her that ties into the plot later on. Indy meanwhile, uses a distraction to start whipping people like the good old days, and tries to escape, leading to what is probably the best of the myriad chase sequences throughout the movie. Harrison Ford's performance is probably at its best during these early scenes. He's old, he's grumpy, he seems to be sort of worn out of these strange situations he always gets himself into, and it adds up to being very funny.

After this relatively encouraging opening which ends with some of the most preposterous deus ex machinas of all time, we see that Dr. Jones is still a university professor, and so we get a few plot points to get him back out of the classroom. On a train out of town, Jones meets Mutt (Shia LaBueff), a high school drop out greaser and biker mechanic who tells Dr. Jones that one of his colleages, Dr. Oxley or "Ox" has gone missing in South America. Turns out Ox (who is played by John Hurt for some reason even though he doesn't have much to do other than act crazy) has been committed to a sanitarium after he sound a legendary crystal skull that is the source for the movie's subtitle and is the goal of the quest in this iteration. As it turns out, who'd have thunk it, but the same Russians from the movie's first sequence are going after the skull as well because its believed to have psychic powers. Indy and Mutt go tomb raiding and find the skull in its original resting place--Ox had returned it for yet to be revealed reasons--only to find that the Russians are waiting outside for them.

It's once Indy and Mutt head into the jungles of Peru with the Russians that my tolerance for some of the movie's cliches and over-the-top ridiculousness started to waver. I understand that the entire Indiana Jones franchise is based off of old serial adventure stories and indeed that's a big reason why the original trilogy was so fun, but there is a point when your suspension of disbelief is just shot and it's all too much. For me, this was somewhere around the time when Indy and company along with the Russians are riding in a convoy of trucks along the outskirts of the jungle, and monkeys come out of the trees and seemingly instinctively know to go bat shit crazy on the villains and leave the main characters alone completely.

There is more silliness when Marion (played by Karen Allen, as she was in Raiders) pops up in the film, coincidentally also captured by the Russians. There seems to be little point in her being in the movie, except to engage in completely unfunny banter with Indy every once in a while. There are multiple instances of the clichéd "let's have an argument about our relationship even though we're in extreme danger right now" bit that completely fall flat. Beyond that, she never really seems concerned at all about any of what's going on around her during the action sequences. There are times in which Mutt and Indy are literally under fire from a dozen Russian troops and this will be intercut with a shot of Karen Allen with a sort of contended half-smile on her face. I also thought the film had a few two many in-references and moments that were very self-aware of the fact that this was the big long-expected fourth Indiana Jones movie. In particular, there are a lot of moments where Indy is able to get his hat back at the last minute despite losing it while a crazy amount of stuff is happening to him. Sometimes its funny, sometimes its just too clever by half.

Once all these chase sequences are done with and the true nature of the skull, and why Oxley was going nuts, and all the other mysteries in the film are solved, there is a climactic sequence that's very much reminiscent of how Raiders or Last Crusade ended, and yet somehow isn't as satisfying. Maybe it's the heavy and obvious use of CGI, or the fact that the big reveal at the end is in some ways even more ambitious than the "oh shit, Judeo-Christian mythology is real and the Nazis are going to get what's coming to them!" moments from the previous films, but it just doesn't quite add up the way the endings to said films did.

Even with all this going against the movie, I do think it's worth viewing, if perhaps only after it leaves theaters and comes to DVD. While I think the script for this latest iteration was somewhat phoned in, and the action sequences are much more clichéd and uninspired than you would expect from Spielberg, some of the Indy allure is still there. Harrison Ford's performance is very good, and he does a great job of maintaining the quick wit and grittiness that's always been in the character, while making him more world-weary and more of a cynical old man sort. In no way is this movie destined to become a Spielberg classic, but its not a complete disaster.