Flight of the Conchords -- New Season

Flight of the Conchords
Season 2, Episode 1 - "A Good Opportunity"

When I saw the first "Flight of the Concords" episode back when it debuted in the summer of 2007, I immediately loved it. The off-beat, deadpan humor was right up my alley, and the musical sequences were nothing short of brilliant. Over the course of the first season, though, the show seemed to have lost some steam. It was still enjoyable, but seemed to lack the panache that it had from the start. The musical sequences were fewer and farther between, and not nearly as satisfying which, in turn, further exposed the fact that the show's plot is usually very barebones and often times not that different from episode to episode.

As Bret and Jermaine--the two members of the real life group Flight of the Conchords, which has had a following for some time before they got their HBO gig--started doing interviews, it became apparent that the reason why the show seemed to fall apart towards the end of the first season was because they had pretty much exhausted their catalog of songs that they could fit into an episode. The truly memorable songs like "Business Time" and "The Humans are Dead" were song that they'd been perfecting for years and had a proven track record, having been performed at any number of live shows before the HBO show ever started. It was understandable then, when it was announced that "Flight of the Conchords" would end after its second season, which itself was pushed back from its originally planned start date and just began last night. The pressure of coming up with new songs for each episode is, understandably, exhausting for a band with only two members. With all of this stacked against it, I was only midly excited for the season 2 premiere last night, to the point where I actually forgot about it at first and had to catch on the West Coast HBO feed later (it was also available online, something I also forgot about). The episode felt more like the end of season 1 than it did the beginning, but it made me laugh, and I can plesently report that, for all its faults, I'm glad the show is back.

The basic purpose of the premiere is to retcon the finale of Season 1, in which, despite still being pretty much incompetant, success falls into Murray's lap as his new band the "Crazy Dogzz" becomes a worldwide hit. This is accomplished through a revelation that the Crazy Dogzz's hit song is actually exactly identical to a Polish song recorded 13 years earlier. This leads to one of the funnier bits in the episode, as Murray painstakingly tries to poll Bret and Jermaine as to whether its "bad" or "normal" for this to happen, even as the decision has apparently already been made for him and repo men come to start taking stuff out of his office. The demise of the Crazy Dogzz couldn't have come at a worse time for Murray, as it comes after his original band has decided that they're better off without him and decide to manage themselves.

Things start out well for Bret and Jermaine as they strike it out on their own as their discovered by an ad agency after a gig (where they've apparently moved on from playing nothing except "Who likes to rock the party? I like to rock the party!") that wants them to write a jingle for a "feminine toothpaste" ad. The ad agency people--one of which is Greg Proops, who I haven't seen in anything since "Whose Line is it Anyway" and a woman that I didn't recognize--like the jingle they write, in spite of the fact that it was 18 minutes in length with much of it, as Jermaine admits, not really having anything to do with toothpaste. They like it so much, in fact, that they want to include Flight of the Conchords in the ad, turned them into their feminie toothpaste spokesman. The ad agency characters are kind of weird, and these scenes were really only funny because of Bret and Jermaine themselves. At times it seemed like the ad people were supposed to be playing the "straight man" roles, but at other times they came across as just sort of creepy, and I wasn't sure if they were supposed to be creepy in a funny way and failing, or if they were just beeing creepy unintentionally. Maybe its just that Greg Proops looks kind of creepy in general. At any rate, trouble brews when it becomes clear that Bret and Jermaine don't have green cards (or know what they are), thus setting up an opportunity for redemption for Murray, who of course used to work at the New Zealand consulate.

The songs in the episode weren't all that memorable, but weren't horrible. I did like the very operatic sequence of Murray's "Rejected!" song out on the balcony of his office. As I described at the beginning of the post, it seems like they're still suffering from sort of a writer's block as far as coming up with new songs is concerned. But the episode still kept me entertained, mostly because the surreal "band meetings" were still as funny as they've always been: "Look at all these gold records they've won! Whereas you guys only have those two Grammys. And they're not even real! I had to make those myself!"